"659"

We all make mistakes. From leisure suits in the ‘70s, to “hypercolor” clothing in the ‘80s, to rat tail haircuts anytime, we Americans are notorious for making choices that seemed like good ideas at the time. Despite our less-than-stellar judgment, we tend to demand more of our finest institutions. In particular, we expect our most prestigious award-givers to choose the right winners. Is that too much to ask? Take the Academy Awards (please!). Today, we thought it might be fun to go back through history and point out the most obvious mistakes in the history of the Oscars. Focusing on past recipients of the three major awards (Best Picture, Actor and Actress), we’ll identify the times when Oscar really fell down on the job. And, sad to say, it’s happened more than once.

Cheap knockoffs are usually pretty easy to spot in real life. Buying a purse for my wife once in Chinatown, I asked, “is this a REAL Coach bag?” The vendor produced a hot glue gun and a Coach emblem and said, “It will be when you buy it.”  This kind of thing shouldn’t surprise us — in movies, it happens all the time. For those who don’t already know, Hollywood’s unspoken mantra is: “If it works, buy it or steal it!” This means that studios pilfer from successful foreign films all the time, and have for years. After all, as more than one sage has noted, there are no new stories, only new ways to tell them... Sometimes it’s just plotlines that get recycled. Example: observe how certain scenes in Akira Kurosawa’s “The Hidden Fortress” (1958) resemble a little movie called “Star Wars: Episode IV: A New Hope” (1977).

Here’s a bold statement: Giving your children the chance to watch classic films can be just as vital as anything they learn in school. 

Eli Wallach was known as one of our most versatile performers. Though Jewish, he played Mexican, Italian, and assorted other ethnic characters with the same fluency and assurance.

Robert Duvall fully earns the hallowed term “actor’s actor.” He is superb in most anything he’s in. And at age 83, he’s still doing his thing. On a plane recently, I finally caught Tom Cruise’s diverting thriller “Jack Reacher” (2012), and there was octogenarian Duvall playing a gun dealer, stealing every scene he was in. Watching him ace this small but key supporting role made me feel it was time to pay tribute to a man who’s appeared in some of the greatest films of the past half-century.   Born to William Howard Duvall, a career military officer from Virginia, and his wife Mildred, an amateur actress and descendant of General Robert E. Lee, Duvall's childhood was peripatetic; his father was transferred frequently to various bases around the country.

Turning leaves, the appearance of tweed, and the visceral thrill of a cool nip in the air all evoke a seasonal tide turning. Autumn on film is one of the medium’s richest commodities, and a visual feast to mirror the one that rolls around every November.  Filmmakers can’t resist all that color or the movement of falling leaves, with deep nostalgia swiftly evoked in a few frames of swirling red and gold. Regardless of plot, cast or dialogue, the unsung hero of the autumnal movie is the cinematographer.  Fall on film seems to break into two categories: city and country; and that city is most often New York. It not only dresses the part, but the energy that arrives in town after Labor Day belongs to a law of physics.