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I have an ongoing love affair with New York, the city that formed me. I was born here, and though I’ve left occasionally, it was never for very long. The pace, color, and excitement of this amazing town always drew me back like a magnet, and holds me still. No surprise then that I love experiencing the potent nostalgia of great films that recall the New York City of my early years.

I will always remember the pure exhilaration I felt watching Quentin Tarantino’s “Pulp Fiction” for the first time in a theater thirty years ago. The memory is so clear of first realizing that I was experiencing an extraordinary piece of filmmaking, deliriously entertaining but also completely fresh and unique. What made “Pulp” so exciting and distinctive?

Though we live in the era of the multi-hyphenate and multi-tasker, we still get a boot out of personalities we know for one function, showing up in a totally unexpected context, and in doing so revealing an otherwise hidden side—and hidden talents.  When a non-actor appears on-screen there is a moment of held breath. Will he or she be…good? After all, acting is hard. Acting takes sweat and years of training, whether in techniques by Stella Adler, Lee Strasberg, or doing improv on weeknights for decades, with no break in sight. And yet, from out of the blue, a soccer star, jazz musician, or gossip columnist will cruise onto the set and turn in the performance of a seasoned vet.

Part of the thrill of film is the costumes that dress up the screen. But there's a clear distinction between standard costume pictures where clothes simply help evoke a period, and those indelible outings in which great clothes not only draw our eye to their design, but also inform character.  It is, in fact, more accurate to say “wardrobe” than costumes, and, as with our own wardrobes, there are standouts that we return to again and again. These are pieces that are stars in their own right: Edith Head’s dresses for Grace Kelly in “Rear Window”; Cecil Beaton’s black and white dress for Audrey Hepburn, worn to Ascot in “My Fair Lady”; Lauren Bacall’s check suit in “The Big Sleep”; and countless bias-cut crepe gowns, Technicolor satins, wide hats, snug corsets, and acres of rhinestones, beads, and feathers. When paired with crackling dialogue, powerful stories, and flattering cinematography, these signature looks create the models for our own evolution in style.  Why not slip into our own look at some of the movies’ most memorable fashion moments...

We’ve all done it, watched a movie and thought, “How do they think this stuff up?” and, “Do they expect us to believe this?” Yes, “they” do, because movies depend on the suspension of disbelief for their magic. Musicals, horror, and romantic comedies are all fueled by the high octane of fantasy.

Humphrey Bogart was once asked if he had any difficulty putting aside his tough image to play a romantic leading man in “Casablanca” (1942). He said it was easy. “It helps,” Bogie said, “if you’re looking into the eyes of Ingrid Bergman.”

Oscar season is now upon us, as the year’s prize-worthiest fare begins its annual rollout to theaters in time for the holidays, sliding in just under the wire for nomination eligibility.  It is never too soon to start handicapping the contenders in the acting category, so we have compiled a handy reference guide to some of the types of roles that Academy pops for year after year. Once one starts to look for them, it becomes easy to spot future winners. Many of the performances in the upcoming raft of releases will be jaw-dropping.