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“Who’s the greatest actor of all time?” When that unanswerable question gets asked in my circles, I tend to hear four names repeated: Marlon Brando, Spencer Tracy, Laurence Olivier, and Daniel Day-Lewis.

As most of you know, I spend my life being picky about movies. There are just a few actors I’ll watch in almost anything. Jean Gabin makes that very short list. Some reading this may have forgotten him, or never even heard of him. His heyday, after all, was nearly eighty years ago, and he’s been gone for over forty. Yet in his prime, no one could touch him.

It was Hollywood in early 1950, and legendary director Billy Wilder had a big problem. In two weeks, shooting would start on his next film, “Sunset Boulevard,” and his mercurial young star, Montgomery Clift, had just backed out of playing the lead.

During the Second World War, there was no bigger female star in Hollywood than Greer Garson. She was nominated for a Best Actress Oscar five consecutive times over that period, from 1941-1945. (Only Bette Davis matched Garson’s record, between 1939-1943).

In the first two decades of television, many a star from Hollywood’s Golden Age found both a warm reception and a welcome paycheck on the small screen as their movie careers were waning. That move happens almost as frequently today with paid cable series enjoying immense popularity.

Recently I was asked to name the five movies that most affected me growing up. In identifying them, I didn’t think too hard. This required more of an emotional, instinctual response than a purely rational one. “The Best Years of Our Lives” was one of the films I selected. It has always stayed with me. While I cannot claim it’s the all-time best war movie, I think it may be our best drama about war. This intensely human film  portrays the effects and aftermath of war, but includes no battle scenes.

The actress who in 1938 came out of nowhere to win the most coveted role in Hollywood once said: “I'm not a film star; I am an actress. Being a film star is such a false life, lived for fake values and for publicity… Actresses go on for a long time and there are always marvelous parts to play.” Vivien Leigh was first and foremost a creature of the theater who only made twenty films. Still, over the course of her career she managed to win two Best Actress Oscars, becoming the first British player to do so.

Up to now, I’ve always hesitated to do a piece on this enduring icon and casualty of Hollywood, simply because so much has already been written on her tragic life and tumultuous career — reportedly well over 500 books. Finally, I resolved to focus on the details of her early life which shaped the fragile, tortured person she’d become.

Roughly two years ago, I had the honor of dining with Angela Lansbury. It was at a private event, where we screened “The Manchurian Candidate” (1962), which features perhaps her most indelible film role, as the diabolically wicked mother of a would-be presidential assassin. Rarely have I met a more grounded, down-to-earth lady. She had no airs whatever. She might have been the British granny of anyone’s happiest dreams: smart, sensible, with a ready laugh and the confidence to listen.