"944"

Not surprisingly, people frequently ask me, “What’s your favorite movie?” It sounds like a reasonable question, but actually it’s maddening for the simple reason that there are so many fabulous movies that attain the same superior level of quality, but are wildly different. That said, if someone forced me to compile a “Top Ten” list, Billy Wilder’s “The Apartment” would definitely make the cut. While I’d watch it most anytime, it is for me the ultimate New Year’s Eve film.

With streaming, you get that thing we all crave: immediate gratification. Complete spontaneity, no need to plan ahead. And that’s a big deal over the holidays, when we’re all over-stressed, overbooked, overloaded. Who has time to think about what to watch on Christmas Eve before you’re actually there?

We movie fans all know there are times when only a mystery or thriller will do. These films draw us in from the start, and hold us fast till the finish. We are side-by-side with the protagonists as they solve a crime, or work to clear themselves, or attempt something we’d never want to risk ourselves.

One of the many lures of the film noir genre is its taut, no nonsense dialogue. There’s no room here for flowery speech, not when the bullets and fists are flying.

I found it interesting (if not particularly surprising) that the top box office performers of the last several decades have tended to be longer movies. Scanning over tent-pole movies released since the millennium, blockbusters like the “Lord Of The Rings” series clock in at about three hours per installment, while “Avatar” and “The Dark Knight Rises” run well over the two and a half hour mark. Other more recent superhero franchises show the same trend. Examples: “The Avengers” (143 mins.), “Captain America” (136 mins.), and “The Amazing Spiderman” (142 mins.) Then there’s the talented but increasingly self-indulgent Quentin Tarantino, whose pictures most always go on and on. Most recently, “Inglorious Basterds” (153 mins.) and “Django Unchained” (165 mins.) prove my point.