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Another strange truth about the movie biz: sometimes, a great idea will take decades to become a feature film. Case in point, Walt Disney’s much beloved “Lady And The Tramp.”

“Noah,” starring Russell Crowe and a Pentateuchal God punishing the wicked with about 45 minutes of world-destroying CGI, opens today. While you could go blow money on this floating mess of animalia, we recommend you skip it, and watch a better Biblical movie – “The 10 Commandments” (1956), directed by the King of Spectacle Films, Cecil B. DeMille.  “Commandments” retells the Biblical tale of Moses, from his float down a river, to becoming a prince of Egypt, to his successful career as a prophet. It’s a film worthy of the record-breaking $13.5M budget it eventually received. It was to be DeMille’s magnum opus, and he treated it as such. When studio bean-counters complained about spiraling costs, DeMille asked if he should stop filming and make “The Five Commandments” instead.

You can’t help but be moved by the tragic life of actress Gene Tierney. Though endowed with astonishing beauty and talent that won her early fame, a series of misfortunes would eventually bring her to the brink of suicide.

The best movies are a breed apart – exceedingly rare, and born of compelling human stories well told. A superb drama has the power to change how we see the world, while a first-rate comedy can provide sublime entertainment that nourishes both brain and spirit. Today, too many exceptional films are hiding in plain sight, obscured by big commercial titles that may divert us in the moment, but offer little lasting impact, insight or enjoyment.

Seeing the latest version of “A Star is Born” at the newly renovated Bedford Playhouse reminded me of the sheer impact of a great film experienced under the best possible conditions.

Michael Caine has been a lot of things to a lot of people. To the ladies of “Alfie” (1966), he’s the conflicted bad boy they’ve both dreamed of and dreaded, the working-class womanizer who broke all the rules (including kicking down the 4th wall to talk directly to the audience). He’s a British super agent in “The Ipcress File” (1965), and the scientists he saves are glad to have a “thinking man’s James Bond” on the scene. He’s been an alcoholic English professor (1983’s “Educating Rita”) and a stout British soldier standing up to wave after wave of Zulu warriors (1964’s “Zulu”). He’s one of the most universally beloved actors of his generation, a charismatic talent that steals nearly every scene he’s in.