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In 1910, the prestigious Fred Karno theatrical troupe in England got the chance to tour America.  Its star attraction, a twenty-one-year-old performer named Charles Chaplin, was on-board that first ship crossing the Atlantic.

It’s sad but true that the bygone film directors we tend to remember are those associated with specific types of films (think Hitchcock for suspense and John Ford for Westerns), while the more versatile players somehow get lost in the fog.

Joel McCrea was always clear-eyed about his place in the Hollywood firmament. He once said that he got offered the comedies that Cary Grant passed on, and the Westerns Gary Cooper rejected.

During the Second World War, there was no bigger female star in Hollywood than Greer Garson. She was nominated for a Best Actress Oscar five consecutive times over that period, from 1941-1945. (Only Bette Davis matched Garson’s record, between 1939-1943).

In this relatively enlightened age, it’s horrifying to consider how gay people were treated by society just half a century ago. Back then, being closeted was not an option but a necessity. As the 1960s dawned, homosexuality was still deemed an illness and a crime across the globe. Those caught and convicted often went to prison, and then were ostracized, their lives ruined.

Growing up in the early ‘60s, I had a huge crush on Donna Reed. I know I wasn’t alone. In those pre-feminist days, she seemed to my young, impressionable eyes like the perfect wife and mother. Yes, she was beautiful, but there was much more to her than that. She projected an inner calm and wisdom. You sensed strength and principle beyond her dazzling smile. She was no pushover. You loved her, but you also respected her. You didn’t mess with Donna Reed.

In a variety of interesting ways, mustaches make the man in movies. At the dawn of film, it was usually the villain wearing the ‘stache. In silents and old-time serials, they would twirl them to signify a dastardly deed was being contemplated. These “types” would go on to inspire the indelible character of Snidely Whiplash in the “Dudley Do-Right” segment on “The Rocky and Bullwinkle Show.” I loved that guy. In the realm of silent comedy, the sight of well-placed follicles on the kisser also could elicit laughter from audiences, as evidenced by Charlie Chaplin, Ben Turpin, Andy Clyde, Oliver Hardy and others.

The lunacy had to end sometime. We just didn't think it would be this week. Robin Williams is dead at 63.     He was best known for his manic comedy work, the sort that moved critics to describe him as a “comic supernova,” but he proved equally adept at tackling dramatic roles. Already Oscar-nominated three times, he finally won a statuette for his warm, nuanced performance in “Good Will Hunting.” As time went on, he seemed to relish appearing in even darker films, such as “One Hour Photo” and “Insomnia.” Many of us got our first glimpse of him in the 1970s ABC sitcom “Mork and Mindy.” Williams played the lovable alien Mork so well that it took years for him to be taken seriously as an actor. His rise on the big screen began in the late 1980s with films like “Good Morning Vietnam” and “Dead Poets Society.” There was no turning back. He became known for playing funny characters who displayed a sensitive side, but he could still unleash the raw improvisational madness for which he was known, such as when he provided the voice of the genie in “Aladdin” or appeared in drag for “Mrs. Doubtfire.”

The cinema has given us many great gangster films, showcasing some of the nastiest, shiftiest, most venal criminals in the world. On paper, their deeds are rotten, maybe even murderous, putting innocent people at risk and defying the forces of law and order.  Yet very often, you still sympathize with these characters; you may even root for them. After all, usually their backs are up against the wall. You sense that poverty and dysfunction placed them on the wrong side of society. Born into the right circumstances, they coulda been contenders. You glimpse a trace of honor, even goodness in them. Whenever there’s talk of the greatest films ever made, gangster pictures always figure in. You know the usual suspects, but we’ve rounded up ten of varying ages that we think are... well, for the ages.