"60"

By now you know I love movies, but the fact is, I’m equally passionate about music. My taste runs to the more modern forms tied to this country’s rich history: jazz, rock, rhythm and blues, and of course, those evergreen standards from the Great American Songbook, interpreted by giants like Sinatra, Tony Bennett, and Ella Fitzgerald.

Here are twelve black and white classics, available now on Netflix, that I consider unmissable. I’m hoping that through these timeless films, we might open a few more young eyes to the glory and beauty of black and white cinema.

When movie buffs discuss the greatest directors of old Hollywood, the same names tend to crop up: John Ford, Frank Capra, William Wyler, George Cukor, and of course, Hitchcock. Worthy picks of course, but why not Fred Zinnemann? Granted he worked in a wide variety of genres (much like contemporary George Stevens), making him harder to classify. Also he started directing features roughly 15 years after these pioneers of talking pictures. Still, his track record is every bit as impressive.

It was gratifying, if not particularly surprising, to see Cillian Murphy capture the Best Actor Oscar this year. He’d just starred in the year’s most critically acclaimed film, “Oppenheimer,” which also took Best Picture. It was a big performance in a very big movie.

It was 60 years ago when a mind-blowing 73 million viewers tuned in to the top variety program on television, the Ed Sullivan Show, and first experienced the four lads from Liverpool known as the Beatles. That seismic event, which included follow-up appearances on the next two Sullivan shows that month, launched the band on a trajectory of success not even their most ardent early fans could have imagined. And it happened so fast. 

Today the concept of someone writing and directing their own films is, if not commonplace, hardly unusual. A quick Google search yields many prominent names. So it’s hard to imagine that way back in the thirties, during Hollywood’s Golden Age, there was no such animal. Writers and directors were kept in different silos, and never the ‘twain met.

I wonder how many people under forty learned of Alan Arkin’s passing last month and thought,  “Oh, that’s sad, it’s that funny old guy from the ‘Kominsky Method’!” Of course, they might also remember him from two hits made in this century: “Little Miss Sunshine” (2006), which brought him a late-career Supporting Actor Oscar, and Ben Affleck’s “Argo” (2012), which also earned him a nomination.

“Orson Welles lists ‘Citizen Kane’ as his best film, Alfred Hitchcock opts for ‘Shadow of a Doubt’, and Sir Carol Reed chose ‘The Third Man’ - and I'm in all of them.” Those are the words of Joseph Cotten, perhaps the finest screen actor never to be nominated for an Oscar. The more time passes, the more it feels like a serious oversight.

Why were so many of our very best actors born in April? It’s an unanswerable question, of course, but intriguing nonetheless. And in the rarefied world of movie stardom, the concentration of April birthdays is pretty remarkable.