"49"

In 1989: the Berlin Wall came tumbling down, Mikhail Gorbachev was named Soviet leader, and George H.W. Bush assumed the Presidency. Paula Abdul, Bobby Brown and Debbie Gibson were burning up the music charts, and folks at home were tuning to “Seinfeld,” “The Simpsons” and “Baywatch” when they weren’t reading “The Joy Luck Club,” “A Time to Kill” or “7 Habits of Highly Effective People.” At the movie theater, to paraphrase Frank Sinatra, “it was a very good year.”  Here are ten 1989 movies that I think have aged particularly well. See if you agree.   

Man versus Nature. It’s a struggle as old as the movies—even as old as man himself. (Man, that’s old.) Many movies have thrilled us by pitting their leading characters against the elements. Floods, blizzards, tornados, tsunamis and other cases of severe and, at times, catastrophic weather conditions are the stuff film drama is made of.  It seems that hardly a calendar year goes by without stormy weather whipping around audiences. Earlier his year, Russell Crowe’s “Noah” encountered a flood of Biblical proportions. And just when we thought the memory of Hurricane Sandy was starting to fade, “Into the Storm” arrives in theaters shortly, bringing destructive cyclones and tornadoes with it.

It’s nearly impossible to discuss a truly great movie without mentioning its musical score. Can you  honestly ponder the Spielberg classic “Jaws” (1975) without hearing those relentless, alternating two notes (played on a tuba!) that announce the killer shark’s arrival? Or think of “Rocky” (1976) without remembering how Bill Conti’s soaring trumpet theme made your heart race? 

The phenomenon known as typecasting has been practiced in Hollywood since its earliest days. Stars who excelled in certain kinds of roles were usually offered those kinds of parts repeatedly. To risk-averse studios, this simply made good business sense.

Over the years, the movies have offered up many memorable nerds. Highly intelligent, fascinated by history, science and technology, possessing fearsome powers of concentration, and able to recite astonishing amounts of data (some of it useless), the nerd is really just a hero just waiting for his chance to use his unique skills for maximum good.   Nerds are the inventors, researchers, tinkerers and experimenters. They are — almost by definition — obsessional. And they're often the characters with the best lines. After all, they've got the most developed vocabularies. Sure, they suffer abuse from the cooler types, but when a genuinely inspired idea is required, only a nerd will do.

Part of the thrill of film is the costumes that dress up the screen. But there's a clear distinction between standard costume pictures where clothes simply help evoke a period, and those indelible outings in which great clothes not only draw our eye to their design, but also inform character.  It is, in fact, more accurate to say “wardrobe” than costumes, and, as with our own wardrobes, there are standouts that we return to again and again. These are pieces that are stars in their own right: Edith Head’s dresses for Grace Kelly in “Rear Window”; Cecil Beaton’s black and white dress for Audrey Hepburn, worn to Ascot in “My Fair Lady”; Lauren Bacall’s check suit in “The Big Sleep”; and countless bias-cut crepe gowns, Technicolor satins, wide hats, snug corsets, and acres of rhinestones, beads, and feathers. When paired with crackling dialogue, powerful stories, and flattering cinematography, these signature looks create the models for our own evolution in style.  Why not slip into our own look at some of the movies’ most memorable fashion moments...

They say the customer is always right — but not always right away. For instance, sometimes it takes a while for movie audiences to recognize just how special a film really is. When it premieres, there’s a barely audible thud, and very little box office.  The culprit could be poor distribution, half-hearted promotion, a storyline slightly ahead of its time, the ire of some influential critic with digestive trouble, or any combination of the above. A surprising number of now-classic films either just broke even, or actually lost money on initial release. Here are 10 classics from my list that fall into this category. 

It all started with the hardboiled detective fiction which exploded onto the American popular culture way back in the roaring twenties. This new genre portrayed America’s evolving urban landscape as vividly as the Western genre did the rural frontier.

From the socially unacceptable, to the downright deviant, taboo topics make for dramatic movies. What we can’t, and wouldn’t, do in life, film plays out for us, revealing not only the forbidden acts, but also the hidden motivations behind them.