"41"

In our divine gathering of movies that tackle the big question of what happens when we die—or when we don’t die as planned, we immerse ourselves in fantasy. Or perhaps not. Do angels exist, and is there a heaven? If so, where do all the evil folks go? Of course, nobody knows, but visitations from angels or other spirits counter the notion that death brings only oblivion. And that's a comforting thought indeed.

Great drama, like life, turns on choices. Good choices usually involve a fair amount of luck. Bad choices tend to roll downhill into a ravine of consequences that can’t be seen from above. Without a very bad decision made by someone, many movies simply would not have a narrative engine.

When we think of movie heroes, soldiers always rank high, particularly those on the front lines. Bradley Cooper's Oscar-nominated turn in last year's "American Sniper" is just the latest example. These men face the prospect of death most every day, leading or working with other men to accomplish seemingly impossible objectives.

Top-ten lists of holiday films abound right about now, but what about picking the top three Christmas movies ever made? Certainly there's plenty to choose from. Christmas movies are almost a genre unto themselves: between live-action and animated features, there are literally hundreds of titles out there. Inevitably, some are pretty bad, others amusingly cheesy.

As producer/director Roger Corman once told me, movies are a kind of alchemy, an outcome of many complex elements. Bad movies can be forged from wrongheaded decisions, great ones can often be attributed to … plain dumb luck. The resulting concoction is all that counts. Of course, when you watch an amazing performance in a great film, it’s hard to envision how it could have been done any other way. Casting is crucial because most often we associate movies with the actors that star in them. But consider how differently a movie might have turned out if an alternate choice had been made. Just a tiny shift in the recipe can make a world of difference.  Here then is a list of 9 actual “what might have been” casting choices from some of our favorite films that prove my point. 

Ah, that eternal question: which is better, the book or the movie? Though such comparisons are natural, even inevitable, they’re also kind of pointless, since the conventions of each medium differ so markedly. Books explore the dense inner lives of characters in a way movies can’t, while films use sight, sound and motion to create an immediacy books can’t.

I’ll never forget the segment on “60 Minutes” a couple of years ago, when Morley Safer interviewed our most famous living historian, David McCullough.

A great screenwriting professor once told me, “A screenplay is like a chalk drawing – it’s a beautiful thing until they stomp all over it like a bunch of circus ponies.” Many writers can be precious with their work, but to the typewriter-jamming chagrin of some Hollywood screenwriters, a movie is a living thing, and sometimes changes have to happen at the very last split-second – even as film is rolling.

Summer is vacation season. This year, let’s presume you’ve set your sights on going abroad. First you take a deep breath and buy the plane tickets. Ouch — they’re pretty steep, an unpleasant fact explained by two little words: “peak season.”