What It’s About
In the early twentieth century Pacific Northwest, quiet, conscientious Robert Grainier (Edgerton) labors in the booming logging industry. This man with no roots or family finds salvation with new wife Gladys (Jones), who gives him a daughter. The only thing marring their happiness is Robert’s ongoing need to travel distances for work, often for long stretches. Tragedy strikes when he’s away.
Why We Love It
Fresh off their Oscar-nominated “Sing Sing”, writer/director Bentley and writing partner Greg Kwedar return with this atmospheric tale, based on Denis Johnson’s novella. Edgerton’s Grainger is a decent, solitary man who discovers what happiness is, only to lose it and have to go on. “Train Dreams” proves (once again) what a fabulous actor Edgerton is; his face conveys multitudes, and we care for this private, taciturn man. Jones is also affecting as his young bride. Nominated for four Oscars, including Best Picture, Adapted Screenplay and Cinematography, the moody, scenic “Train Dreams” is the sort of American movie we need more of.